The "point" in geometry only indicates that the location does not have area and direction. In the plane structure, "point" as one of the modeling elements has an important role that cannot be ignored. Although in the ancient times of human hand-made surface decoration pattern, "point" has been widely used. Today, however, contemporary designers still use a variety of variations and permutations of "points" to reproduce the stunning artistic charm of "points."
In Japan's book binding art, the means used for cover decoration can be described as different styles and genres. However, one of the most affluent forms of the spirit of the times is the use of the composition of "points." Looking at the expressions of “points†in the art of book binding in Japan in the past ten years, it can be generally summed up in four types:
First, strong adjustments are made in order to form order and order. The beauty is also a kind of rhythm beauty. It is implied in strict patterns of the same size, equal intervals, and horizontal and vertical. Uniform and easy to fall into the plate lag. However, in the back-to-back battle, excellent works with great personality will also be produced. The cover decoration of the Constitution of Japan is simple and eye-catching. It is an equally spaced arrangement of vertical and horizontal points. Applying to the decoration of the cover of a book of the Book of Code is to unify the mentality of order that people expect. At the same time, the "red spots" printed in white also subtly reveal the source of this idea. When the designer feels that the "dot" equidistant alignment method is very appropriate for the decoration of the book, it reproduces the decorative theme in the design of the front and rear rings. Miao is not a simple repetition but uses a cover-up version of the cover. This repetition of positive and negative changes produces rhythm and rhythm, giving the reader a clear impression.
And so on, there are many more. For example, in 1986, the "Book Catalog" published by the Japan Broadcasting Publishing Association, the skeleton of the cover decorative pattern still emphasizes a kind of order beauty. However, it is more lenient than the above example. It uses the "dot" equal distance to connect the longitudinal parallel movement. With the full use of modern inkjet technology to create realistic and exquisite objects, each dot is like a silver pearl, and the designer’s intention is to highlight the value of the association’s publications. In order to actively compose the pictures and increase expressiveness, the designer stole the three “pearls†near the title of the book and replaced them with three blue-hued twisted “glass ballsâ€, thus forming a qualitative contrast of “points†of the same size. .
Second, the use of natural scattered composition, resulting in a variety of visual effects.
If it is neat and uniform, as percussion music with strong sense of rhythm, then the composition of scattered dots is the melodious music and music. Scattered dots are lively and varied, scattered and unorganized, and orderly. Designers need to be bleak, but they are not so secretive.
Japan's late-dressing master Masahiro Hara made a cover design for the book "Sakura Dai Kam," using a design style that is similar to Japanese traditional print paper. The five-sakura cherry blossoms with a "point" shape are of different sizes and layers, and are covered in a variegated layout. The background is dark red and the flowers are pink. The cherry blossoms in the park like the above are very natural and unpretentious, showing a wonderful artistic realm. In contrast, the scatter form used in the cover design of the "Yearbook Advertising Art" is more subtle and more rational. Designers use physical photography techniques to photograph objects that are colored round plastic chips used in foreign poker games. The photos on the front cover and back cover are different. The chips in the cover photo seem to have been casually scattered on the table. However, as a colleague, we have carefully calculated the density of the chips and the coordination of colors. In the pictures on the back cover, these chips are lifted up one by one to form a vertical multicolored cylinder. Through the bargaining chips, the dots are scattered to gather, and from point to line, the reader's perception reappears the continuation of time, and the connotation of the yearbook is reasonably expressed.
Just like the diversity of prose styles, the laws of scattered dots are also difficult to cover in a word. We will then analyze the changes in the composition of the scattered points. "Alin Short Story Collection" is a collection of essays. The style of the cover design of essay collections is more romantic than rigorous. The composition of scattered spots is the most appropriate. On the cover of this book, except for the name of the book, there are only six large red dots as decorations. The shape of the six points is irregular, and the arrangement of the six points is also very free. In order to attract the reader's attention, the designers further demonstrate the personal characteristics of the essayist and ingeniously reveal the writer within three dots at regular intervals. Head closeup. In other words, the writer's head is transformed into three irregular dots to express it. The composition of the scattered points, no matter what kind of visual image language is used to express them, the key lies in the balance of the composition in order to arouse the consensus of the readers' aesthetic experience.
Third, the use of a similar group of combinations, revealing the style of the era "point" is not limited to a round shape, it can be square, triangular, rectangular and irregular shapes and so on. However, the size of its area, of course, must be limited to the range of visual effects that must be "points." On a network of equal intervals, one or more of the above-mentioned various other shapes may be transformed by converting the dots of one or a certain group of cells. This type of technique is called a similar grouping combination. The characteristic of a similar grouping combination is that there are changes in the unity. The binding of the “Everything Social Media Encyclopedia†was completed by a famous Japanese designer, Sugiura Kangping. This is a large book with a total of 18 volumes. The hard cover material is a cool yellow tone coated paper. The cover decoration pattern is composed of 12 groups of 126 points, such as dots, square points, diamond points, and cross points, and is evenly distributed on a 16-piece cover. Processing methods are hot gold aluminum, the stars of the Ling decoration effect, it seems this encyclopedia code is more expensive and elegant, richer content. The cover decoration of the book "Emotional Science of Shigeko Nanako" also uses a similar grouping, but it is more spatially pleasing. Firstly, nine horizontal rows and six vertical rows of sixty-seven different color and elegant color points are arranged at equal intervals on the layout, and then different geometric patterns are overprinted on each color point. Five “points†are overprinted. Content-related illustrations of slightly different sizes that break through the “point†range are lively and readable.
4. The borrower uses the Japanese characters to form a statement of concept.
In general, square characters including Japanese characters are visually arranged in "points," so Japanese characters can also be used as "points" of decorative "materials." The cover of Feng Zi Hua Chuan is a full-text version of shading. The printed version is black and yellow. Most people use the original text format directly when using the text as the shading, and the designers of the book adopt the regular space-spaced equidistant arrangement method. Due to the small size of the text, a "point" was visually formed and formed an ethereal texture. The book "Thinking of Compound Eyes" is a book with a red, yellow, and blue version that is overprinted with three pages of full-text. With different strokes, the paragraphs are of different lengths. After color registration, the text has lost its original and meaningful legibility, and it is directly reflected in the complex color changes of a number of “points†to complete its decorative shading function.
The use of the law of the formation of the plane should be organic and it should not be allowed to bind itself. The "point" formed by the square words is used in conjunction with the "points" of the geometric shapes. It also has new meanings. The book "The Witness in Art" was designed in this way. In the center of the cover of this book, three lines of book names were arranged. Although the font size was small, it was printed in white with a deep background and it was easy to form a visual center. The lines of three lines of text are decorated with one or four dark dots that increase progressively and line by line and overlap slightly. The English translations of a dozen authors are symmetrically arranged on both sides of the front and back of the cover. The font size is also not large, and each line is also separated by a dot. From the point of view of the entire screen, although the "point" is used as the main decoration material, because the "dot" constitutes a dotted line of varying lengths and the gray surface composed of these dotted lines, the picture is both simple and quiet and has rich changes.
Japan is a very impressive country for publishing and printing various books. The quality of book binding determines the success or failure of sales to a certain extent, and the competition is very fierce. To sum up, we can feel that the Japanese designers are endlessly excavating the artistic expression and appeal of "points." It is precisely because of this that "points" also have more endless artistic expression and appeal. I hope that the book design workers in our country will pay attention to the "dot", the most basic styling element, in order to stimulate inspiration and record the flashing world of ideas in their artistic thinking activities. (Talk about Bingyu Zhang Xiguang)
In Japan's book binding art, the means used for cover decoration can be described as different styles and genres. However, one of the most affluent forms of the spirit of the times is the use of the composition of "points." Looking at the expressions of “points†in the art of book binding in Japan in the past ten years, it can be generally summed up in four types:
First, strong adjustments are made in order to form order and order. The beauty is also a kind of rhythm beauty. It is implied in strict patterns of the same size, equal intervals, and horizontal and vertical. Uniform and easy to fall into the plate lag. However, in the back-to-back battle, excellent works with great personality will also be produced. The cover decoration of the Constitution of Japan is simple and eye-catching. It is an equally spaced arrangement of vertical and horizontal points. Applying to the decoration of the cover of a book of the Book of Code is to unify the mentality of order that people expect. At the same time, the "red spots" printed in white also subtly reveal the source of this idea. When the designer feels that the "dot" equidistant alignment method is very appropriate for the decoration of the book, it reproduces the decorative theme in the design of the front and rear rings. Miao is not a simple repetition but uses a cover-up version of the cover. This repetition of positive and negative changes produces rhythm and rhythm, giving the reader a clear impression.
And so on, there are many more. For example, in 1986, the "Book Catalog" published by the Japan Broadcasting Publishing Association, the skeleton of the cover decorative pattern still emphasizes a kind of order beauty. However, it is more lenient than the above example. It uses the "dot" equal distance to connect the longitudinal parallel movement. With the full use of modern inkjet technology to create realistic and exquisite objects, each dot is like a silver pearl, and the designer’s intention is to highlight the value of the association’s publications. In order to actively compose the pictures and increase expressiveness, the designer stole the three “pearls†near the title of the book and replaced them with three blue-hued twisted “glass ballsâ€, thus forming a qualitative contrast of “points†of the same size. .
Second, the use of natural scattered composition, resulting in a variety of visual effects.
If it is neat and uniform, as percussion music with strong sense of rhythm, then the composition of scattered dots is the melodious music and music. Scattered dots are lively and varied, scattered and unorganized, and orderly. Designers need to be bleak, but they are not so secretive.
Japan's late-dressing master Masahiro Hara made a cover design for the book "Sakura Dai Kam," using a design style that is similar to Japanese traditional print paper. The five-sakura cherry blossoms with a "point" shape are of different sizes and layers, and are covered in a variegated layout. The background is dark red and the flowers are pink. The cherry blossoms in the park like the above are very natural and unpretentious, showing a wonderful artistic realm. In contrast, the scatter form used in the cover design of the "Yearbook Advertising Art" is more subtle and more rational. Designers use physical photography techniques to photograph objects that are colored round plastic chips used in foreign poker games. The photos on the front cover and back cover are different. The chips in the cover photo seem to have been casually scattered on the table. However, as a colleague, we have carefully calculated the density of the chips and the coordination of colors. In the pictures on the back cover, these chips are lifted up one by one to form a vertical multicolored cylinder. Through the bargaining chips, the dots are scattered to gather, and from point to line, the reader's perception reappears the continuation of time, and the connotation of the yearbook is reasonably expressed.
Just like the diversity of prose styles, the laws of scattered dots are also difficult to cover in a word. We will then analyze the changes in the composition of the scattered points. "Alin Short Story Collection" is a collection of essays. The style of the cover design of essay collections is more romantic than rigorous. The composition of scattered spots is the most appropriate. On the cover of this book, except for the name of the book, there are only six large red dots as decorations. The shape of the six points is irregular, and the arrangement of the six points is also very free. In order to attract the reader's attention, the designers further demonstrate the personal characteristics of the essayist and ingeniously reveal the writer within three dots at regular intervals. Head closeup. In other words, the writer's head is transformed into three irregular dots to express it. The composition of the scattered points, no matter what kind of visual image language is used to express them, the key lies in the balance of the composition in order to arouse the consensus of the readers' aesthetic experience.
Third, the use of a similar group of combinations, revealing the style of the era "point" is not limited to a round shape, it can be square, triangular, rectangular and irregular shapes and so on. However, the size of its area, of course, must be limited to the range of visual effects that must be "points." On a network of equal intervals, one or more of the above-mentioned various other shapes may be transformed by converting the dots of one or a certain group of cells. This type of technique is called a similar grouping combination. The characteristic of a similar grouping combination is that there are changes in the unity. The binding of the “Everything Social Media Encyclopedia†was completed by a famous Japanese designer, Sugiura Kangping. This is a large book with a total of 18 volumes. The hard cover material is a cool yellow tone coated paper. The cover decoration pattern is composed of 12 groups of 126 points, such as dots, square points, diamond points, and cross points, and is evenly distributed on a 16-piece cover. Processing methods are hot gold aluminum, the stars of the Ling decoration effect, it seems this encyclopedia code is more expensive and elegant, richer content. The cover decoration of the book "Emotional Science of Shigeko Nanako" also uses a similar grouping, but it is more spatially pleasing. Firstly, nine horizontal rows and six vertical rows of sixty-seven different color and elegant color points are arranged at equal intervals on the layout, and then different geometric patterns are overprinted on each color point. Five “points†are overprinted. Content-related illustrations of slightly different sizes that break through the “point†range are lively and readable.
4. The borrower uses the Japanese characters to form a statement of concept.
In general, square characters including Japanese characters are visually arranged in "points," so Japanese characters can also be used as "points" of decorative "materials." The cover of Feng Zi Hua Chuan is a full-text version of shading. The printed version is black and yellow. Most people use the original text format directly when using the text as the shading, and the designers of the book adopt the regular space-spaced equidistant arrangement method. Due to the small size of the text, a "point" was visually formed and formed an ethereal texture. The book "Thinking of Compound Eyes" is a book with a red, yellow, and blue version that is overprinted with three pages of full-text. With different strokes, the paragraphs are of different lengths. After color registration, the text has lost its original and meaningful legibility, and it is directly reflected in the complex color changes of a number of “points†to complete its decorative shading function.
The use of the law of the formation of the plane should be organic and it should not be allowed to bind itself. The "point" formed by the square words is used in conjunction with the "points" of the geometric shapes. It also has new meanings. The book "The Witness in Art" was designed in this way. In the center of the cover of this book, three lines of book names were arranged. Although the font size was small, it was printed in white with a deep background and it was easy to form a visual center. The lines of three lines of text are decorated with one or four dark dots that increase progressively and line by line and overlap slightly. The English translations of a dozen authors are symmetrically arranged on both sides of the front and back of the cover. The font size is also not large, and each line is also separated by a dot. From the point of view of the entire screen, although the "point" is used as the main decoration material, because the "dot" constitutes a dotted line of varying lengths and the gray surface composed of these dotted lines, the picture is both simple and quiet and has rich changes.
Japan is a very impressive country for publishing and printing various books. The quality of book binding determines the success or failure of sales to a certain extent, and the competition is very fierce. To sum up, we can feel that the Japanese designers are endlessly excavating the artistic expression and appeal of "points." It is precisely because of this that "points" also have more endless artistic expression and appeal. I hope that the book design workers in our country will pay attention to the "dot", the most basic styling element, in order to stimulate inspiration and record the flashing world of ideas in their artistic thinking activities. (Talk about Bingyu Zhang Xiguang)
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